Mr. Moto Takes a Vacation (1938) | Mechanics' Institute

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Mr. Moto Takes a Vacation (1938)
CinemaLit March 2023: Chinatown in the Movies

Friday, March 31 - Mr. Moto Takes a Vacation, 1938, 63 minutes, directed by Norman Foster, starring Peter Lorre and Joseph Schildkraut.

The priceless ancient crown of the Queen of Sheba has been excavated under great media interest, and is shipped to the San Francisco Museum for exhibition. A clever thief plans to steal it. Can Mr. Moto outwit him and save the precious antiquity? In a primary example of Hollywood yellowface, Hungarian born Peter Lorre played Japanese detective Mr. Kentaro Moto in a series of eight B-films between 1937 and 1939. While Mr. Moto Takes a Vacation has moments that may strike modern audiences as decidedly racist, it is long on entertainment, while wonderful Peter Lorre creates a memorable screen sleuth of many disguises.

For this last Friday in March, CinemaLit will return briefly to ZOOM. Just watch Mr. Moto Takes a Vacation at your leisure using this YouTube link:

Mr. Moto Takes a Vacation

On Friday, March 31 at 6:00 PM, join us online for a Zoom discussion.

We hope to see some old friends -- and maybe even a few new!

CinemaLit March 2023: Chinatown in the Movies

The Mechanics' Institute Library has been awarded a National Endowment for the Arts "Big Read" grant to support community reading programs. The grant showcases a single book through a range of tours, discussions, seminars, and screenings. The honored book is Charles Yu's Interior Chinatown (2020), a remarkable novel exploring immigration and the limitations of Chinese identity in modern America. It's funny and sad, and creatively written to read like a screenplay.

In the spirit of Interior Chinatown, the month of March at CinemaLit will feature "Chinatown in the Movies." Four of our offerings, The Face of Fu Manchu (1965), Charlie Chan at Treasure Island (1939), Phantom of Chinatown (1940), and -- on zoom -- Mr. Moto Takes a Vacation (1938), feature characters, by turns nefarious, clever, and heroic, from popular movie serials. Ancient curses, international intrigue, and viral terrorism highlight the twisty plots. These short feature films (except the later and more lavish Face of Fu Manchu), some barely more than an hour in length, were Saturday matinee entertainment on double bills, complete with cartoons, previews, and newsreels. Today they're fascinating glimpses of past social values as reflected in American pop culture, where entertainment, racism, and pluralism intersect.

Our fourth entry in "Chinatown in the Movies" is Flower Drum Song (1961), the splashy Hollywood adaptation of a Rodgers and Hammerstein Broadway musical. Stephen Gong, executive director of the Center for Asian American Media, will introduce and co-host Flower Drum Song.

NEA Big Read is a program of the National Endowment for the Arts in partnership with Arts Midwest.

El proyecto NEA Big Read es una iniciativa del National Endowment for the Arts (el Fondo Nacional para las Artes de Estados Unidos) en cooperación con Arts Midwest.

Cosponsored by the Chinese Historical Society of America

Matthew Kennedy, CinemaLit’s curator, has written biographies of Marie Dressler, Joan Blondell, and Edmund Goulding. His book Roadshow! The Fall of Film Musicals in the 1960s, was the basis of a film series on Turner Classic Movies.

I don't have a favorite film,” Matthew says. "I find that my relationships to films, actors, genres, and directors change as I change over the years. Some don't hold up. Some look more profound, as though I've caught up with their artistry. I feel that way about Garbo, Cary Grant, director John Cassavetes, and others."

Classic films have historical context, something only time can provide,” Matt observes. “They become these great cultural artifacts, so revealing of tastes, attitudes, and assumptions.”

 

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