Zoom Salon - Legend of the Mountain (1979) – 193 minutes
May 2021 CinemaLit: Visions of the Sacred on Film

CinemaLit Film Series

May 2021 – Visions of the Sacred on Film

Inspired by a suggestion from a CinemaLit patron, we're dedicating May to films exploring religion and faith. We've strived for a sweeping representation of small and large scale, Eastern and Western, ancient to contemporary. The films - The Seventh Seal (1957), Whale Rider (2002), Leona (2019), and Legend of the Mountain (1979) - also vary in how religion and faith are presented in their stories. They act as social contract, family unifier, map of the afterlife, conduit for magic and power, intergenerational conflicts, political tool for social control, vehicle for cultural preservation, and repository of myths and legends.

Spanning more than sixty years of filmmaking, they come from all over the globe. They're set and filmed in Sweden (The Seventh Seal), New Zealand (Whale Rider), and Mexico (Leona), with one made through funding and production ties to China, Taiwan, Hong Kong, and South Korea (Legend of the Mountain). Each ask elemental questions of their protagonists, and in turn are asked of each of us. Who are we, and what is our place in our community and the larger world?

May 28 – Legend of the Mountain (1979) – 193 minutes

In eleventh century China, humble Ho Qingyun ekes out a living as a copyist. A monk gives him the lofty assignment of copying a Buddhist sutra that will liberate souls trapped in limbo. He's a skeptic but he needs the job, so he embarks on a long trek through the wilderness to a remote outpost. Even before he reaches his destination, strange things start happening.

The epic Taiwanese film Legend of the Mountain (Shan zhong zhuan qi) is rapturously beautiful pictorially, its landscapes meticulously composed. Filmed in rural South Korea, the lingering vistas of trees, rolling hills, sunbursts, waterfalls, and billowing fog and mist are mildly hypnotic, transporting us to a lost world of the imagination.

Chinese director King Hu (Dragon Inn, A Touch of Zen) excelled at martial arts or wuxia films, awash in heroism, cowardice, and swordplay, with little separating the earthly and spectral realms. In Legend of the Mountain, characters fly, bounce, and flip through the air to the incessant beats of mystical power-generating drums. Effects are more eerie than frightening, opening up the supernatural world with its abundant mysteries and astonishments.

In his review of Legend of the Mountain for Slant Magazine, critic and essayist Greg Cwik writes, "In its aesthetic assuredness and haunted mood, its controlled splendor, it might be the apogee of Hu's oeuvre. Whereas A Touch of Zen usurped and critiqued the supernatural elements that define the genre of gods and ghosts known as shen guai, the opera-influenced Legend of the Mountain commits to them, pluming them for ontological truths. Hu amalgamates his aural, visual and thematic affinities into a cohesive, singular, deeply spiritual entity. It's a strange and mysterious bastard, one of the great works of Taiwanese cinema."

 

Matthew Kennedy, CinemaLit’s curator, has written biographies of Marie Dressler, Joan Blondell, and Edmund Goulding. His book Roadshow! The Fall of Film Musicals in the 1960s, was the basis of a film series on Turner Classic Movies. 

 

“I don't have a favorite film,” Matthew says. "I find that my relationships to films, actors, genres, and directors change as I change over the years. Some don't hold up. Some look more profound, as though I've caught up with their artistry. I feel that way about Garbo, Cary Grant, director John Cassavetes, and others."

“Classic films have historical context, something only time can provide,” Matt observes. “They become these great cultural artifacts, so revealing of tastes, attitudes, and assumptions.”

 

INSTRUCTIONS FOR JOINING THE CINEMALIT SALON

First watch the selected film on Kanopy. All you will need is either a Mechanics' Institute library card, or a San Francisco Public Library card, which will give you access to Kanopy and its treasure trove of movies. Make a reservation for our CinemaLit Salon as usual via Eventbrite and watch the film on Kanopy at your leisure. You will receive a link to the Friday night CinemaLit salon on Zoom one day in advance, and then an additional reminder roughly two hours in advance. On the night of the salon click the Zoom link and join us.

If you do not receive a Zoom Link by 4:00 PM on the day of the event, contact Pam Troy at [email protected].

KANOPY INSTRUCTIONS

Mechanics’ Institute members can now sign up for FREE access to Kanopy, a wonderful film streaming service. To sign up:

1. Click on  THIS LINK.

2. Click on the large orange login button that reads, “Log in to milibrary.”

3. Enter the 14-digit bar code from your MI Library card

4. Set up your account following Kanopy’s instructions, including your email and a password.

5. Kanopy will send verification to your email address.

You’ll be able to choose from a wonderful selection of films, including classics, pre-code, foreign films, and documentaries, including the films we’ve scheduled this month for CinemaLit.

If you are not a Mechanics’ Institute member, consider membership and click  HERE  to join online:

Or, you can check with your public library to see if they are Kanopy members. If so, you may use your public library card to set up a Kanopy account.

 

Register with Eventbrite below.

If the green TICKET button is not immediately visible, scroll down on the right in the Eventbrite window until it appears.