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Western Films -- DVD/Blu-ray display

The history of American cinema up to today has included the "Western" as a central genre. While inspired by popular literature, Westerns continue to tell stories about the perils settlers experienced during Western expansion. Mechanics' is home to an extensive collection of Western Americana, including many titles from the Western silver screen and television. 'Giddy-up' to the Western film display on the 2nd floor and take home DVD and Blu-ray from our diverse collection ranging back to the 1930s.

Craig recommends Johnny Guitar starring Joan Crawford and Sterling Hayden. "In this drama film, released in 1954, Joan Crawford as Vienna plays a strong-willed saloon owner. She battles the local townspeople headed by Emma, the local sexually repressed, lynch-happy female rancher. She is out to frame Vienna for a string of robberies. Johnny Logan is a guitar-strumming drifter who was once in love with Vienna, and is offered a job in her saloon. This film is often considered one of the most original westerns of all time... and the women in the film are far tougher than the men."

Taryn recommends:

  • Red River -- "Based on the almost brilliant but still pulpy Blazing Guns on the Chisholm Trail"
  • Dances with Wolves -- "Fascinating native scenery and much of the dialogue is spoken in Lakota with English subtitles."
  • Taryn also recommends the True Grit the novel by Charles Portis, along with both film adaptations starring John Wayne and Josh Brolin.

Veronica recommends High Noon calling it "one of my all-time favorite Westerns".

Lisa recommends True Grit and McCabe and Mrs. Miller

Myles recommends Django Unchained -- "Tarantino’s Spaghetti Western, loosely based on the 1966 Italian film Django, is set in the South and follows freed slave Django, played by Jamie Foxx, as he carries out revenge on plantation owners that have kept his wife captive. Embedded in this violent revisionist Western are the familiar themes of frontier justice, but it’s the frank take on race relations that makes this film stand out."

Steven recommends:

  • The Searchers -- "John Ford directed the best known classics of the Western genre. Many consider this his greatest achievement; it features John Wayne and Jeffrey Hunter searching for a girl kidnapped by Comanches. The ending will surprise you."
  • High Noon -- "Gary Cooper won the Oscar, some say for looking at a clock with a worried expression on his face. This 50s classic has the quintessential shootout scene in which we see the gunfight as a spectator sport. Contrast this with Costner’s Open Range (below)."
  • The Frisco Kid -- "A hidden gem from the 70s. Gene Wilder plays a rabbi sent fresh from the yeshiva school in Poland to a congregation in San Francisco. He has to team up with an outlaw (Harrison Ford before the Star Wars movies) in order to make his way across the country."
  • True Grit -- "The Mechanics Institute library has both the original with John Wayne and Kim Darby as well as the 2010 remake with Jeff Bridges and Hailee Steinfeld. Wayne and Bridges both won the Oscar for Best Actor. The remake had additional Oscar-winning performances as well.  A teenage girl seeks justice for her murdered family. Justice proves a bit elusive."
  • Once Upon a Time in the West -- "Of all the spaghetti westerns this is my favorite. The casting of Sergio Leone’s classic stands as one of the most subversive contributions to the genre: he cast actors quite diametrically against type with Henry Fonda as the sociopathic villain and Jason Robards as morally ambiguous outlaw.  Mythic themes such as the hero’s journey and redemption make this more than just another Western."
  • The Outlaw Josey Wales -- "The 1970s saw a revision of the Western genre to include more historically accurate elements. Screen writer Philip Kaufman integrated these into a script that shows, long before his Indiana Jones movies, that he could craft a perfect story arc. The title character’s outlaw career as a consequence of the Civil War and its aftermath along with a sympathetic portrayal of Native Americans frames the Western in a very different manner than the earlier classics."
  • Dead Man -- "Auteur Jim Jarmusch directed Johnny Depp in this strange and dream-like re-imagining of the Western. Picture the classic Shootout at the OK Corral on acid. In black & white with an interesting collection of actors including Iggy Pop, John Hurt, Gabriel Byrne, Crispin Glover and Jared Harris (son of Richard Harris)."
  • Unforgiven -- "Eastwood further deconstructs the Western in this 1992 movie that goes to great lengths to ‘de-romanticize’ and ‘de-mythologize’ the Western. In a key scene Gene Hackman blows apart the mythos of the western gunslinger with an uncomfortable truth. Some younger viewers may like to see a performance by Richard Harris before he was Dumbledore."
  • Open Range -- "Kevin Costner studied of primary sources and photographs from the period in aid of creating this neo-realistic Western. Unlike the stereotypical depiction of the gunfight in a Western (High Noon, for example), the townspeople flee before the final showdown, not wanting to be anywhere near when the bullets start to fly. Set during one of the many ‘range wars’ that displaced the small-scale ranchers on the frontier in the late 19th century, the film dramatizes a little known chapter of the history of the western United States."

Posted on Feb. 19, 2019 by Myles Cooper

Cult classics – DVD/Blu-ray display

What is a cult film? A cult film maintains a cult-like following long after its release. Its fans don't mind watching the film multiple times. In fact, they often build a community around their favorite films by transforming screenings into special events. In San Francisco, some cult films like The Sound of Music are featured as sing-alongs at the Castro Theatre, while others like The Room are shown as midnight movies at theatres like the Landmark Clay. Please visit our Cult Classics display on the 2nd floor and check out films that are certified fun to watch more than once. Below are staff recommendations from the display.

Craig says “I would highly recommend the movie Valley of the Dolls, the critically eviscerated, anything-but-mellow 1967 drama that has achieved so-bad-it’s-good cult status. The novel tells the story of three young women who become fast friends in the turbulent worlds of Broadway and Hollywood: Anne Welles, a reserved New England beauty who sees New York as the romantic city of her dreams; Neely O'Hara, an ebullient vaudevillian with a talent she doesn't fully understand; and Jennifer North, a sweet-natured showgirl who wants only to be loved. As life becomes difficult, each woman grows increasingly dependent on ‘dolls’, the amphetamines and barbiturates which, for a time, seem to help. Each of the women strives to ascend the Mount Everest of her dreams, only to find herself back in the Valley of the Dolls.”

Diane recommends Night of the Living Dead and Zombieland.

Deb recommends Harold and Maude “While most people avoid talking or thinking about death, young Harold is obsessed with it -- faking suicide, attending funerals and exasperating his mother, who just wants a normal son. Her attempts to ‘cure’ his obsession with therapy and introducing him to young women backfires when he hooks up with Maude, who like Harold, attends strangers’ funerals. Maude is almost 80 and obsessed with life. Together they explore the joy of living in the moment. (The ending is a surprise so I won’t reveal it.)”

Steven says “I consider almost all of Nicolas Cage’s movies in the categories you gave. Mostly ‘so bad, it’s good.’ His performances always go over-the-top over-acting. In particular, the two National Treasure movies we have in the collection, plus the Coen Brothers Raising Arizona and the lesser known (but very wild) Red Rock West (that might have won an Oscar had it not been released on cable before the theaters). The there’s a ‘San Francisco’ movie: The Rock that has the best bad science ever. The very scary deadly nerve gas is stored in very fragile glass balls strung together (why?!?!).”

Steven also recommends “Mister Roberts- one of the early overtly anti-authority movies. This one stars James Cagney in a comic performance, Jack Lemmon’s first appearance on film and it’s the last movie in which William Powell (of The Thin Man movies). Then there’s The Adventures of Buckaroo Banzai… that a friend once described as ‘the most sublimely ridiculous movie ever made.’  It stars Peter Weller, John Lithgow, an early performance by Jeff Goldblum and lots of comedic character actors you’ve seen all the time all in one movie.”

Veronica recommends “I don't re-watch it all the time, but I like the cult classic Office Space. My cousin and I refer to it a lot when he's talking about his office life and my old one. I even got him the red stapler.”

Myles recommends “π- Max Cohen believes he’s stumbled across a mathematical pattern so powerful that it can predict the stock market. This gritty late 90s black and white film, shot in a Chinatown apartment in New York City, leads the audience into believing Cohen’s theory, which may just be a paranoid delusion. The excellent soundtrack was my introduction to experimental electronic music of the period from UK artists like Aphex Twin and Autechtre. Π was Darren Aronofsky’s directorial debut, he went on the direct such films as Requiem for a Dream, The Wrestler, and Black Swan.“

Myles also says “This list wouldn’t be complete without someone recommending The Rocky Horror Picture Show (1975). In case you haven’t seen it, it’s a strangely contagious musical comedy that mixed the style of glam rock with the themes of horror B movies. Midnight showings of the film became wildly popular in North America after its release, and a cult of fandom followed allowing generations of young people in conservative areas an excuse to dress androgynously and interact as their favorite characters. This funny and liberating film is still screened today- an absolute cult classic.”

Posted on Jan. 7, 2019 by Myles Cooper

Cool Jazz: CD Display

Want to learn about jazz when it was “cool”? Cool is a term coined by music journalists to describe a jazz genre after bebop with slower tempos, softer phrasing, contrapuntal improvisation from melody instruments, and an incorporation of classical instruments like French horn and vibraphone. Cool has a California connection. Some well-publicized musicians of the period resided in California, and the term “West Coast jazz” now refers to a subgenre of cool that includes work from Dave Brubeck, Gerry Mulligan, and Shorty Rogers. Mechanics’ is home to seminal works from the cool school including Miles Davis’ "Kind of Blue" and "Birth of the Cool," June Christy’s “Something Cool,” Dave Brubeck’s “Time Out,” and certain cuts in Chet Baker’s “Deep in a Dream.” Check out these titles from our Cool Jazz music display on the 3rd Floor Balcony A. Included on our display are resources on Bay Area jazz like the two-volume guide to San Francisco Bay Area Jazz & Bluesicians.

Posted on Nov. 8, 2018 by Myles Cooper

Human vs. Nature

Brave the elements from the comfort of the couch with selections from our latest DVD and Blu-ray display “Human vs. Nature.” Below are staff recommendations from the 2nd Floor display.

Myles recommends:


Based on a memoir by Cheryl Strayed Wild: From Lost to Found on the Pacific Crest Trail, Wild chronicles Strayed’s ambitious hike after a bout with substance abuse and divorce. Nick Hornby's screen adaptation directed by Jean-Marc Vallee was produced by Reese Witherspoon who also stars in the film. Witherspoon's acting earned a nomination for Best Actress Academy Award alongside Laura Dern, also was nominated for Best Supporting Actress in her portrayal of Strayed’s mother, Bobbi Grey.

Burden of Dreams

This documentary by Les Blank about the making of Werner Herzog’s Fitzcarraldo details the struggle to clear the Amazon and move a large steamship over a mountain. The project, under Herzog’s direction, included manual labor from native people, who simultaneously served as actors. If you’re a fan of Fitzcarraldo or Werner Herzog, this is a must-watch as the nearly impossible task may be better expressed in this documentary than through Herzog’s work of fiction.


This 90s box office smash follows storm chasers as they gather data on tornados. When the deployment of new sensor technology coincides with an F5 tornado, the team ends up in harm’s way all in the name of science. Both Ann-Marie Martin and her husband, Michael Crichton, authored the nail-biting screenplay.

Steven recommends:

Jeremiah Johnson

An early Robert Redford movie about a man who, in the 1850s, decides to leave civilization and live as a "mountain man" in the Rockies. Will Geer (of "The Waltons" fame) plays the mentor who teaches the new guy how to survive. (The scene in which Geer teaches Redford how to hunt makes the movie worth watching in itself). Reflecting the social changes of the 60s, as did many other Westerns of the 1970s, this film revised the genre by means of striving for historical realism and showing a sympathetic portrayal of native Americans.


Roy Scheider and Robert Shaw, two of the giants of action movies of the 50s and 60s, star in this Steven Spielberg classic. A great white shark strays far from its usual habitat to menace an East-coast island community heavily dependent on tourism. A sheriff has to recruit a grouchy old coot and a young scientist to take on the beast. Jaws contains one of the most classic movie lines of all time "you're gonna need a bigger boat." You also get to see an early performance by Richard Dreyfuss as the scientist.

Jurassic Park

"Jaws" meets "Boys from Brazil" in Steven Spielberg's adaptation of a Michael Crichton novel that features human-made "sharks" in the form of cloned dinosaurs. Although laden with his trademark action movie clichés and an ethnic stereotype about Australians (hint: they're all named "Muldoon") the movie nonetheless entertains with fast-paced, suspenseful scenes and comic relief provided by Jeff Goldblum's priceless performance.

The Gold Rush

Classic Charlie Chaplin comedy about the little tramp going to the Klondike to prospect for Gold. Features the classic scene in which he eats his boot.

King Kong

Both 2005 and original 1933 versions use a giant ape as an allegory for humans vs. nature. Does Kong's death symbolize a victory of humans over nature or does the film's message tell us that nature, ultimately, can never be tamed?


Posted on Nov. 6, 2018 by Myles Cooper

Film Noir & Neo-Noir

Whether you’re a fan of Film Noir, one who would like to learn more about the genre, our “Film Noir & Neo-Noir” display on the 2nd Floor showcases our healthy collection of period films and films inspired by the style. Please read below to learn from our in-house enthusiasts who recommend and explain titles from the display.

Steven explains Film Noir as:

"Deprived of American movies during the Second World War, French audiences and critics discovered Hollywood's crime movies from the 40s in 1946. They found in them a reflection of their own experience of and disillusionment resulting from the war. Occupied France had suddenly turned into a world of secrecy, informers and treachery; where knowing who to trust, or trusting the wrong person, suddenly became a matter of life and death. American crime movies symbolized and visually translated this post-war world by themes of deception, betrayal along with distrust of authority and most notably by taking place mostly in darkness. According to film critic Roger Ebert, the term "Film Noir" comes from the books called "Series Noir" that translated American "Hard Boiled" Pulp fiction into French."

Steven recommends selections from the French “heyday” of Film Noir, 1945-1955: Rififi, and Pépé le Moko. American movies from the same period include: The Third Man, They Live by Night (1948), Night and the City (1950), and Night of the Hunter (1955), and Chinatown.

Steven also recommends: L.A. Confidential, “the 1997 homage to Film Noir, contains numerous twists that depart from the plot lines of the classics, including a betrayal scene both shocking and unexpected. In the 1980s  we saw two noir movies, Body Heat and Blood Simple, that followed noir conventions closely, but only at first. And Insomnia (Swedish original),  Insomnia (American remake, on order), Elevator to the Gallows (a.k.a.: Elevator to the Scaffold) (1957), Le cercle rouge, Purple Noon (the introduction of Patricia HIghsmith's "Mr. Ripley" character, we also have the American remake: The Talented Mr. Ripley).”

Taryn says:

"No film list is complete without ONE Gene Hackman movie. In Night Moves Hackman plays a private detective (of course) on the trail of a missing trust fund baby. In the process of finding her he stumbles upon something much more sinister, and stumbles through a few perplexing loose ends. Either way, its a nice example of post Watergate paranoia that will keep you guessing."

Taryn also recommends The Grifters "A stellar cast marks this adaption of Jim Thompson's pulp novel about a trio of con artists as a classic of the genre. Look forward to hard-boiled dialogue, hard as nails female leads and a world of cynicism and despair."

Michael Fox of CinemaLit recommends these “essential noirs, including a few shot in SF:”

Out of the Past, Dark Passage, D.O.A. And “some great (color) neo-noirs:” Chinatown, Point Blank, Blood Simple, L.A. Confidential.

Merry says:

“I recently checked out Gaslight and Mildred Pierce and really enjoyed them. I first saw these films over 10 years ago on Turner Classic Movies and have been haunted ever since. Can't say enough about how great Ingrid Bergman portrays a wife tortured by her husband and Joan Crawford portrays a mother tortured by her daughter. They definitely deserved their Best Actress Oscars (winners for 1944 and 1945).”

Heather Miles recommends Double Indemnity calling it “a good one.”

Posted on Sep. 22, 2018 by Myles Cooper

Funny Films: DVD/Blu-ray Display

Need a laugh? At Mechanics’ we have an extensive collection of funny films ranging from silent comedies of the early 20th century to recent releases of today. Visit the Funny Films display on the 2nd Floor and take home a DVD or Blu-ray that will make you laugh out loud! Below are staff favorites from the display.

Steven recommends:
The Twelve Chairs- Less well known Mel Brooks film about a couple of con men racing against a corrupt priest to find a cache of jewels hidden in a chair in 1920s Russia. Brooks made a career out of making tribute films to parody the tropes and conventions of a given genre. This one takes on screwball comedies of the kind Frank Capra and Blake Edwards made.  Stars a very young Frank Langella.

Spaceballs- This time Brooks parodies the "space opera" genre including the Star  Wars movies and many more. Some of the best "4th wall" scenes ever  ("breaking the 4th wall" includes such devices as having a character address the audience directly or the action spilling over to the other side of the camera).

High Fidelity- An adaptation of a Nick Hornby book changes the venue to Chicago and the characters to Americans including John and Joan Cusak, Jack Black and Tim Robbins.  A record store owner recounts his top five breakups. The funniest parts happen every time Cusak addresses the audience directly.

Taryn recommends:
Dress to Kill- My favorite Izzard stand-up just because it is set in San Francisco and I love all things cable car.

Marx Brothers TV Collection-Tons of rare, hilarious stuff in this collection and a MUST WATCH if you're
a Marx Brothers fan.

The Bank Dick- Master of the one liner, W.C. Fields is the father of modern comedy - watch
his body language!

Monsieur's Hulot's holiday- A comedy with almost no words? Yes Tati shows its possible in this endearing
slapstick with effortlessly choreographed gags. The first entry in the Hulot series and the film that launched its Tati to international stardom.

Merry says, “I like a lot of old stuff: Charlie Chaplin, Harold Lloyd, Buster Keaton, Marx Brothers, and Laurel & Hardy. The film “It’s a Mad Mad Mad Mad World” is chock full of the best comedians and comedic actors of the 20th Century. And Monty Python is always good for a laugh!”

Myles says, “Christopher Guest is filmmaker who is best known for his mockumentary style of storytelling pioneered by his work with Rob Reneir on This Is Spinal Tap. He co-wrote the film and played guitarist Nigel Tufnel. Guest’s unrehearsed style of filmmaking involves using many of the same actors in each film. He encourages actors to use improvisational comedy techniques allowing them to add off-script dialog and storylines as their scenes unfold. Although Guest writes, directs, and plays the central character in many of his films, he enjoys the editing process the most, taking pleasure in cutting down hundreds of hours of film in post-production to 90 minutes. Actors that commonly appear in his films include Parker Posie, Fred Willard, Catherine O’Hara, Jane Lynch, Eugene Levy, Harry Shearer, Michael McKean, and Jennifer Coolidge. Here at Mechanics’, we have This Is Spinal Tap, Waiting for Guffman, Best in Show, A Mighty Wind, and For Your Consideration in our collection. I recommend them all! “

Posted on Jul. 30, 2018 by Myles Cooper

Pride on Display

Pride on Display: DVD/ Blu-ray Display

Summer is Pride season in the Bay Area. With our big celebration in San Francisco happening  June 23rd and 24th, Mechanics’ would like to highlight selections from our collection that feature stories about lesbian, gay, bisexual and transgender communities. In the last few years, we’ve seen greater representation of queer cinema in the mainstream. Below are recent films to hit the big screen, as well as staff favorites.

Carol (2015) - Director Todd Haynes  (Velvet Goldmine, Far From Heaven, I’m Not There) directs a screen adaptation  by Phyllis Nagy of The Price of Salt by Patricia Highsmith. In Carol, an aspiring photographer working at a Manhattan department store, Therese Belivet, develops a fondness for Carol Aird, a wealthy shopper who leaves behind a pair of gloves. Both women are in relationships with men, and are forced to decide what to do with the new love between one another.

Imitation Game (2014) - Is the true story of Alan Turning, a brilliant cryptanalyst who decrypted German codes for the British during WWII. Although a hero of WWII, Turning was convicted on charges related to his sexuality and chemically castrated. Watch Benedict Cumberbatch brings to life a story that was once widely suppressed due to homophobia.

Call Me by Your Name (2017) - based on the novel by Andre Aciman, two Americans, a 17-year-old and a 24-year-old develop a friendship in Northern Italy. Oliver, the older graduate student, has a relationship with a woman, Mariza, but is attracted to Elio, the young American. Elio has a similar feeling towards Oliver, and the  two develop a relationship they must keep secret.

Danish Girl (2015) - based on the novel by David Ebershoff, The Danish Girl follows the life of one of the first known recipients of sex reassignment surgery, painter Lili Elbe, played by Eddie Redmayne.

Moonlight (2016) - was the first LGBT film to win an Oscar for Best Picture. Moonlight follows the life of a boy growing up in housing projects of Miami Florida, as he moves through three stages of his life. A young boy Chiron becomes friends with a drug dealer Juan who senses the boy needs nurturing. Little discovers he is different after he meets love interest Terrel. The two form an uncommon relationship in their youth which ends in conflict. Years later the two meet again as men.

Craig recommends:  The Boys in the Band - Released in 1970, it was the first major-studio production to deal frankly with homosexuality and is a milestone in the history of American cinema. Every member of the show's original Broadway cast appears in the film, including Laurence Luckinbill as an out-of-the-closet husband and father.

Rhonda recommends: Another Country

Merry recommends: My Beautiful Launderette

Myles recommends: Paris Is Burning, La Cage aux Folles II, The Adventures of Pricilla Queen of the Desert, Moonlight, Carol, Torch Song Trilogy, and Behind the Candelabra.

Posted on Jun. 18, 2018 by Myles Cooper

The Music and Writing of John Cage: 3rd Floor Display


John Cage was an American 20th Century avant-garde composer. Zen Buddhism was a significant influence on his work, and many of his pieces were composed using chance operations. In one of his most well-known pieces, 4’33” (1952), a pianist sits silently at a piano with their hands at rest. Cage pioneered the “prepared piano” where unconventional objects lay on piano strings. He was among the first to blend acoustic and electric sounds in compositions. Cage was the musical director of choreographer Merce Cunningham’s Dance Company, and also Cunningham’s life partner.

Cage was a prolific music theorist while serving as faculty at Wesleyan. In our collection at Mechanics’, we hold Cage’s writing, including his groundbreaking text Silence (1961), as well as his later text X (1979-1982). The Library also holds multiple sound recordings of his compositions performed by Merce Cunningham Dance Company, string quartets, chamber orchestras, prepared piano, and percussion. Visit the 3rd Floor Display to bring home Cage’s work.

Posted on Jun. 4, 2018 by Myles Cooper

Bay Area Stories: DVD/Blu-ray Display

From the classic black and white suspense of Hitchcock to colorful, modern CGI films like Inside Out, writers love placing their stories in the Bay Area. Visit the 2nd Floor DVD/Blu-ray display to discover or revisit stories that take place in our beautiful Bay. Below are staff recommendations from the display:


Taryn recommends:


The Conversation - Gene Hackman is spectacular as surveillance "expert" in this mystery thriller. Watch it and see if you can find any parallels with today's political scene!


Bullitt - Steve McQueen is smoking hot (burning rubber!) as SFPD Lieutenant Frank Bullitt in this action filled, mob busting,  Mustang racing thriller. The car chase scene through the streets of San Francisco is regarded as one of the most influential in movie history.


Invasion of the Body Snatchers - Based on the book by local author Jack Finney, the 1978 film is a remake of one from 1956. Roger Ebert thought the plot had something to do with "something to do with Watergate and keeping tabs on those who are not like you" - what do you think?


Kristin recommends:


The Birdman of Alcatraz - A true story of a convicted killer who avoids the depths of despair by becoming an authority on birds during  his imprisonment.


Harold and Maude - A black comedy about a disturbed young man fascinated with death and funerals and his friendship with an eccentric and adventurous 80 year old lady. This film also has a great soundtrack by Cat Stevens!


Rhonda says “I have to say Bullitt and Vertigo are at the top of my list. But, the little campy film "So I married an Axe Murderer" has a scene filmed right outside my apartment in North Beach, circa 1993.”


Deb recommends Maltese Falcon and Dirty Harry.


Myles recommends:


Star Trek IV: The Voyage Home (1986)-  Mechanics’ librarian Lia recommended this film for a previous display, and I just got around to watching it. In Star Trek IV, the crew travels back to the 20th-Century San Francisco (from the 22nd-Century) to rescue two newborn humpback whales from the Monterey Bay Aquarium. The hero of the film is a marine biologist. How cool is that? In need of family-friendly feel-good sci-fi? Look no further!


The Room (2003): is thought to be one of the best-worst movies ever made. Its production inspired the Disaster Artist (2017) with James Franco and earned an Academy Award nomination for Best Adapted Screenplay. The Room is about Marina District banker who finds out his wife is cheating on him with his best friend. Part softcore porn, part unintentional comedy, part music video, the room was a passion project of writer, director, and San Francisco landlord Tommy Wiseau. The Room is famous for its ongoing media campaign, 15 years after its initial release, one can still find a giant “The Room” billboard on a building at Fisherman’s Wharf.

Posted on Apr. 29, 2018 by Myles Cooper

The Wrecking Crew: Music Display

The Wrecking Crew was an informal name given to a group of Los Angeles based studio musicians who played on countless popular music releases of the 1960s and early 1970s. Although these union musicians stationed at Gold Star Studios had jazz and classical backgrounds, in the hands of Phil Spector, they became the new sound of pop in his “Wall of Sound” playing on popular radio songs by the Crystals, the Ronettes, Ike & Tina Turner, and the Righteous Brothers. Before overdubbing allowed for layers of multiple takes, the Wrecking Crew provided the backing tracks for the Beach Boys, the Monkees, the Mama's and the Pappas, Sonny & Cher, Frank and Nancy Sinatra, and even television themes like that of M*A*S*H.

Did you know the late "Rhinestone Cowboy" Glen Campbell was a member of the Wrecking Crew? Stop by the display on Balcony 3A to discover recordings from this loose collective of Los Angeles' finest musicians.

Posted on Apr. 8, 2018 by Myles Cooper